Not quite one year to the day it was published, funnyman writer Gene Weingarten‘s celebrated story about Joshua Bell busking in the Washington Metro wound up as one of six Pulitzer Prizes won by the Washington Post today – an impressive and near-record haul. Even though the little social experiment was in itself something of a failure (hardly anyone recognized who it was playing underneath that Curly W cap, and even fewer chucked in any change); the story itself was a PR bonanza for Bell — and now, it seems, for the author. BTW, you can hear Bell’s entire subway performance here.
And if the past is prologue, I’ll bet that the “Joshua Bell Pulitzer” will get a lot more attention than the “official” Classical Music Pulitzer for 2007: The Little Match Girl Passion, by David Lang, commissioned and premiered at Carnegie Hall by Paul Hillier’s Theatre of Voices ensemble.
My piece is called The Little Match Girl Passion and it sets Hans Christian Andersen’s story The Little Match Girl in the format of Bach’s Saint Matthew Passion, interspersing Andersen’s narrative with my versions of the crowd and character responses from Bach’s Passion. The text is by me, after texts by Han Christian Andersen, H. P. Paulli (the first translator of the story into English, in 1872), Picander (the nom de plume of Christian Friedrich Henrici, the librettist of Bach’s Saint Matthew Passion), and the Gospel according to Saint Matthew. The word “passion” comes from the Latin word for suffering. There is no Bach in my piece and there is no Jesus—rather the suffering of the Little Match Girl has been substituted for Jesus’s, elevating (I hope) her sorrow to a higher plane
Nothing against Lang or his work, which sounds interesting enough, t’s just that invariably these Pulitzers go to pieces that have been played once in often out-of-the way locations. Back in my NPR days, tracking down the actual *recording* of a Pulitzer-winning-composition – and doing it in time for the morning news! – invariably involved a combination of detective work, browbeating, and more than a little luck.
Not so in the Internet age, however. Want to hear Lang’s piece – or even download it? Get it here– direct from the Carnegie website. For that matter, this may be the most information-rich Pulitzer ever — you can even hear an interview with Lang about the creation of the work.
Oh, yeah, and there’s one more musical Pulitzer today – a Special Citation for Bob Dylan – for his “profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.”
See the complete list of Pulitzer winners here.
PS – nice to see another Hans Christian Andersen piece set to music to some acclaim. Throughtout his career the Danish writer/poet/playwright collaborated with and was inspired by a number of notable composers – including Mendelssohn, Robert Schumann, and Wagner. And Lang is just the latest of a long line of musicians who have in turn found inspiration in Andersen’s words.