Since I’m knee-deep in Shostakovich producing the NEC Truth to Power concert at Symphony Hall for video (more on that later,) can’t help but observe that today would have been the 90th birthday of the legendary-in-the-Soviet-Union-but-dimly-known-in-the-West pianist Tatiana Nikolayeva, (1924 – 1993), one of the few Russian pianists known for playing the keyboard works of Johann Sebastian Bach.
That all started in 1950, when Nikolayeva traveled to Leipzig to compete in the Bicentennial edition of the Bach competition. As her biography states:
On the jury that year was composer Dmitri Shostakovich, who was greatly impressed with Nikolayeva’s performances of Bach’s preludes and fugues of which she could play any from memory. Shostakovich wrote his set of Twenty-Four Preludes and Fugues Op. 87 for her between October 1950 and March 1951. Nikolayeva telephoned him every day during the period of composition, going to his home to hear him play the most recently written prelude and fugue, and gave the first performance of the complete work in Leningrad in 1952. Their friendship lasted until the day of his death, more than twenty-five years later.
Check out the Maestra at work. Stunning.