Hallelujah Handel!

A 329th birthday nod to Georg Friedrich from our WGBH Fraser Performance Studio, featuring the baroque ensembles Sarasa  and Les Sirènes performing “Per abbattere il rigore,” from the two-soprano cantata Aminta e Fillide, HWV 83. Be amazed at the matched voices of sopranos Kristen Watson and Kathryn Mueller!

Other performers:
Beth Wenstrom – violin
Adriane Post – violin
Timothy Merton – cello
Charles Sherman — harpsichord

The whole – excellent – studio session with Cathy Fuller can be found here. Or just click on the link below:

Drive Time Live

Saras and Les Sirenes

A President’s Day Salute: Alexander Reinagle: The First “First Family” Music Teacher

From George Washington’s diary: Tuesday, June 12, 1787:

“Dined at Mr. Morris’s and drunk Tea there. Went afterwards to the concert at the City Tavern.”

Washington was in Philadelphia for what at the time was called “The Federal Convention,”  and we now call the Constitutional Convention, that led to the creation of the modern American state.  Notwithstanding all of the politics and intrigues, however, Washington still found time to attend a number of events in what was at the time the nation’s cultural center.  And on this particular evening he attended a concert by a newly-arrived and highly-regarded “composer, conductor, pianist, and theatrical manager” named Alexander Reinagle.

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Washington apparently liked what he heard, for it marked the start of a long friendship between the English-born musician and the nation’s first President.  Reinagle was actually born the same year as Mozart (1756), and died the same year as Haydn (1809).  He came to the US in 1786, first living in New York before taking up residence in Philadelphia, then emerging as the young nation’s cultural center.

George Washington's Favorite Composer

George Washington’s Favorite Composer

In 1789, during Washington’s journey from Philadelphia to New York for his inauguration as the nation’s first President,  Reinagle supposedly composed a “Chorus”, with the words, “Welcome Mighty Chief, Once More!” which the composer rather puffily, (and some contend, untruthfully) put on the frontspiece,

Chorus Sung Before Gen. Washington as he passed under the Triumphal Arch raised on the bridge at Trenton April 21st 1789.   Set to music and dedicated by permission to Mrs. Washington by A. Reinagle… Philadelphia.

Washington was impressed enough with Reinagle that he hired him to give keyboard lessons to Washington’s step-grandaughter Nellie Custis…and to order a top-of-the-line double-manual harpsichord for their homes in Philadelphia and eventually at Mount Vernon…where it still can be seen today!

George Washington's harpsichord

As for Nellie’s proficiency at the instrument, a great article on the Mount Vernon website has her brother remembering  she had to practice”very long and very unwillingly at the harpsichord. . .the poor girl would play and cry, and cry and play, for long hours, under the immediate eye of her grandmother, a rigid disciplinarian in all things.”  Though apparently not for nought:

Julian Ursyn Niemcewicz, a Polish nobleman who visited Mount Vernon for around two weeks in June of 1798, wrote of Nelly that, “Her sweetness is equal to her beauty, and this being, so perfect of form, possesses all the talents: she plays the harpsichord, sings, draws better than any woman in America or even in Europe.” On the last night of his visit, he wrote sadly, “In the evening, for the last time, pretty Miss Custis sang and played on the harpsichord.”

Several Reinagle compositions survive in the Nellie Custis collection of sheet music at Mount Vernon, and upon  Washington’s death in 1799, he composed a Monody on the Death of George Washington.   And the “First Composer” didn’t stop at Washington, his output also includes the Federal March, President Madison’s March and Mrs. Madison’s Minuet. 

Far more substantial and interesting are the four extended keyboard sonatas he composed in the style of his idol C.P.E. Bach, whom Reinagle had known during his travels in Europe.  The so-called “Philadelphia Sonatas” are the only pieces of Reinagle’s that really ever get any hearing at all.  Check out this performance in the WGBH Fraser Performance Studio by Handel & Haydn Society keyboardist Ian Watson.

A Rain of Tears – Anderson & Roe

As January snows give way to February rain, and as I start to think about an upcoming Concert Preview I’m doing at the La Jolla Music Society before a two-piano extravaganza with members of the Chamber Music Society of Lincoln Center, time to feature my favorite piano duo: Greg Anderson and my “distant Korean cousin” Elizabeth Joy Roe.   Three stars in this video…you can also check out the stunning backdrop of the Atlantic Ocean that is part and parcel of every performance of the Shalin Liu Performance Center at Rockport Music. Enjoy!

 

PS – there’s also a great Fraser Performance Studio session with Anderson & Roe hosted by WCRB’s Cathy Fuller.   Check it out here.

 

Happy Birthday, Amadeus!

Happy Birthday, Mozart! Check out this compendium of audio, video, and even a few downloads from WCRB Classical New England….

 

‘Course, my vote for favorite video is this one, featuring Mozart’s own instruments, that we brought into our Fraser Performance Studio at WGBH last summer…Wonderful performance by violinist Dan Stepner and violist Anne Black…

 

The entire performance is available too:
Mozart Comes to America

A Winter’s Journey II: Eschenbach and Wakao play “Das Wirsthaus”

So it’s the middle of January. Inspired by the ATC tale in yesterday’s post, a few more “Winterreise” entries this week. This time, it’s pianist and conductor Christoph Eschenbach in our WGBH Fraser Performance Studio, recalling his difficult childhood in war-torn Europe, and launches into a performance with Boston Symphony Orchestra Associate Principal oboist of a transcription of “Das Wirtshaus” (The Inn) from Schubert’s song-cycle “Winterreise.” Cathy Fuller is the WCRB Classical New England host.

The Torch is Passed: Danill Trifonov Plays Chopin

I can’t think of a better way to mark Chopin’s 203rd birthday than with this sampling of the artistry of the 21-year old Russian pianist Danill Trifonov, in action in our Fraser Performance Studio.

Beieve in the hype surrounding Trifonov: I’ve heard a lot of Chopin from a lot of pianists over the years, and Trifonov’s way with the “poet of the piano” is truly extraordinary.   Check out his performance of the entire Op. 25 etudes, as well as some of the “Fairy Tales” by Nikolai Medtner, in the entire studio session with Cathy Fuller by clicking here – or below.

Drive Time Live

Exultate, Jubilate….Happy Birthday Mozart!

From a November 2012 appearance in our Fraser Performance Studio, a thrilling “Exultate Jubilate” from Ian Watson’s group The Arcadia Players, featuring Kristen Watson as the soprano soloists. Another “Drive Time Live” session with Cathy Fuller behind the mic!

The Arcadia Players are:
Kristen Watson – soprano
Susanna Ogata – violin
Krista Reisner – violin
Anne Black – viola
Guy Fishman – cello
David Miller – bass
Ian Watson – fortepiano