Rage Against the Machine

LaraStJohn

Lara St. John and her favorite non-furry friend

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The ever-interesting violinist, blogger, and musical entrepreneur Lara St. John on Wagner and Madison Avenue’s idea of what constitutes “classical” music. Okay, I admit I ranted to her about it, but i’m grateful to her for the research and the writing. C’mon Rick Rubin, you can do better than that!
Rage Against the Machine

Prize-Winning Storytelling…in 25 Seconds

In and among the usual suspects to land Peabody Awards today (including AMC for Breaking Bad, NPR for The Race Card Project, FRONTLINE for the excellent NFL concussion expose “League of Denial,” and a host of other terrific PBS productions) was the first YouTube video ever to win. In the words of the judges:

“Short, simple and spot-on in its critique of rape culture, the ingenious PSA by two University of Oregon students takes just 25 seconds to make its point that real men treat women with respect.”

Amen.  Congrats to students Samantha Stendal and Aaron Blanton for such a succinct and brilliant little production.   The complete of Peabody winners for 2013 can be found here.

Happy

It’s the first day of Spring on the Calendar, and time to celebrate with some shades of happiness.  First up, the brilliant opening credits to Portlandia, the wacky ode to The City of Roses from the off-center minds of Fred Armisen and Carrie Brownstein, set to “Feel it all around” by the singer-songwriter Washed Out.  Beautiful mix of music and imagery that gets me every time.  Hey Mr. Mayor! Can we make this the new official City Song?   (And if you haven’t seen Portlandia…what are you waiting for?)

How about some long-delayed happiness captured on camera, as Stanford University scientist Andrei Dmitriyevich Linde— one of the main authors of the “inflationary cosmology” – e.g., what happened after the Big Bang – gets his entire life’s work validated?  “Happy” seems too mild a word for the powerful, deep sensation….but it makes me want to watch it again.

And finally, the Detroit Academy of the Arts and Sciences kids getting all “Happy.” with Pharrell’s hit.  Sure, it’s gone viral…and why not?  How can you not see this and smile?

Who’s in YOUR Choir?

Intriguing post in Choralnet the other day pointing out some famous faces who’s sung in their high school and/or college choirs. If you’ve got an entry to the list (and there are doubtless hundreds!) add ’em to the comments below!

Amy Adams, actress

Marcus Allen, football player

Terry Bradshaw, football player
Beyoncé, singer
Jamie Foxx, actor
Dr. Sanjay Gupta, neurosurgeon & CNN medical advisor
Tommie Harris, football player
Chris Hatfield, astronaut

Ashton Kutcher, actor

Sugar Ray Leonard, boxer

Joe Montana, football player
Danica Patrick, race car driver
Julie Payette, astronaut
Walter Payton, football player

Brad Pitt, actor

Gen. Norman Schwarzkopf, U.S. Army

Usher, singer

Wild About Harry: Belafonte @ Berklee

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A celebration of Harry Belafonte’s life and music at Berklee.

Great love fest and concert last night for the ever-dignified and charismatic Harry Belafonte, the “High School drop out getting an Honorary Degree from Berklee.”  At the age of 87, Belafonte stopped singing in public a few years ago,though you could spot him in the finale at least mouthing the words to “We Are the World,” the 1980s megahit for African famine relief that Belafonte brought in to being.

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Moments before awarded Harry Belafonte his honorary doctorate, Berklee President Roger Brown speaks about his remarkable career.

That’s just one of an incredible list of accomplishments recited by Berklee president Roger Brown before conferring an honorary Doctor of Music to the singer, songwriter, and activist, who noted that “Belafonte” literally translates as “fountain of beautiful things.”  The tone and feel-good vibe of the event (not to mention some incredible performances by Berklee students) is nicely summarized in today’s Boston Globe:

No artist has worked harder on behalf of truth and social justice than Belafonte. He bailed out Martin Luther King Jr. from a Birmingham, Ala., jail; was John F. Kennedy’s cultural ambassador to the Peace Corps; and helped raise more than $50 million for humanitarian aid in Africa by organizing the recording of “We Are the World.”

That is how the current generation of Berklee College of Music students knows the singer, said Larry Watson, the professor who produced the show, introducing a rousing encore of the song. But to an earlier generation — long before Michael Jackson crowned himself the King of Pop — Belafonte was the “King of Calypso.” He was the first recording artist to sell a million copies of a single album, and he had enduring hits with “Matilda” and “The Banana Boat Song” (that’s “Day O” to fans of “Beetlejuice” or “The Muppet Show”), both of which were part of the program presented by four dozen or so colorfully attired students.

When it came time for Belafonte to speak, he was his usual poignant, gripping, and humorous self,  recalling the first time he went onstage to sing at a jazz club in New York.   The great jazz pianist Al Haig had agreed to let him work up a short set of standards, beginning with “Pennies from Heaven.”   But, when the moment came, Belafonte recalled,  “Up jumped Max Roach to sit behind the drums. And then Tommy Potter picked up a bass.  Charlie Parker sat down with his sax. So I looked around at my backup band.  And I haven’t looked back since.”

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Parting shot from Belafonte: “After this, I’m going home and smoking a joint.”

Emmylou Harris: For No One

So after writing up the Paul McCartney – Loma Mar Quartet connection the other day, there he was on the tube last night, as part of the WGBH “Beatle Month” of programming.  Last night was a re-airing of the 2010 Gershwin Prize Concert for McCartney, held at the East Room of the White House in 2010 – with an additional concert at the famed (and tiny) Coolidge Auditorium at the Library of Congress, which administers the prize on behalf of the Gershwin estate.  (That’s where the footage of “Yesterday” was shot.)

A dizzying (and somewhat baffling) array of special guests sang and played Macca tunes before the honoree and the First Family, including Stevie Wonder, the Jonas Brothers, Faith Hill, Elvis Costello, Dave Grohl (an uncanny ability to channel McCartney’s high tenor in “Band on the Run”), and even pianist Lang Lang.

But my hands-down favorite interpretation of the night came from Emmylou Harris, who managed to turn “For No One” into a convincing Appalachian ballad:

Macca Joins The Choir

Macca on Music

With all of the hoopla and remembrances this month about the 50th Anniversary of the “Beatles Invasion” of the US, I’ve been thinking about Paul McCartney’s post-Beatle, post-Wings, career as a budding classical composer.  Which,  it should be remembered, tended to veer towards choral works like the Liverpool Oratorio and the symphonic poem Standing Stone, featuring the Orchestra of St. Luke’s and New York Choral Artists.

The American premiere of Standing Stone was my first brush with Beatlemania, when I produced the live broadcast from Carnegie Hall for NPR…which the Fleet Street-inspired PR folks for McCartney hyperbolically declared the live web/broadcast as “The Single Largest Classical Music Event in History.”  (Remember, this was 1997, folks, when a “Web Cast” was a totally new phenomenon!).

But I digress.  Here’s the Macca quote, which I think is such a nice summation of why people can be freaky about singing in a choir:

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As it happened, Standing Stone turned out to be the first of many shows I produced for NPR involving McCartney.  One of the most successful I think was another choral program: A Garland for Linda, a “choral song cycle” written as memorial for Linda McCartney/benefit for The Garland Appeal breast cancer research fund.

The 1999 Album/Concert "A Garland for Linda"The 2000 Garland, which featured contributions not only from Macca but such leading UK composers as John Tavener, Judith Bingham, David Matthews, (not to be confused with Dave Matthews),  John Rutter, Roxanna Panufnik, Michael Berkeley, and Sir Richard Rodney Bennett, was in turn inspired by the 1953 Garland for the Queen, featuring contributions from such composers as Benjamin Britten, Herbert Howells, Ralph Vaughan Williams, Gerald Finzi, and Arnold Bax.  And there was an even earlier precedent, according to the British music blog The Land of Lost Content:

The Garland was commissioned by the Arts Council of Great Britain, to celebrate the Coronation of Her Majesty Queen Elizabeth in 1953. One wonders if that ‘quango’ would be active in anything so ‘establishment’ in our age? The ten poets and ten composers were bidden to create settings for mixed voices. The idea was to craft a 20th century ‘replica’ of the famous The Triumphs of Oriana (1601) which was presented to Queen Elizabeth I. The present series of songs is not a parody of the earlier cycle but it is certainly influenced by it. The madrigal is a creative inspiration for both of these composite pieces.

The Garland program was a live broadcast from the cavernous Riverside Church on New York’s Upper East Side, featuring conductor Helen Cha-Pyo leading the excellent Riverside Choir. NPR’s Susan Stamberg and WNYC’s John Schaefer were the hosts…and we actually broadcast from the 3rd level “side aisle”  on the right side of the church (click here for your handy glossary of cathedral architecture).   The playlist for the complete program is here.…and posted below.  It reminds me that someday I need to dig up the piece that I don’t think was ever recorded: the USA premiere of Peter Broadbent‘s arrangement of Four Songs for Chorus by Lennon & McCartney:

For No One; Here, There and Everywhere; And I Love Her; Good Day Sunshine

Don’t think it ever appeared on a recording.  Peter was really the driving force behind the entire project, as I recall.

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The Garland project actually turned out to yield a broadcast, a Bob Edwards interview on NPR’s Morning Edition, and even a CD, as we recorded a benefit concert at the Supper Club in NYC that featured a performance by the rather impromptuly-assembled Loma Mar Quartet  of string-quartet arrangements of a few of the pieces.  Alas, no chart action on Billboard, however…

Linda+McCartney+-+Selections+From+A+Garland+For+Linda+-+5"+CD+SINGLE-398473A Garland for Linda Selections CD- back cover Read more